The concepts of asylum and immigration have been very emotional. This is because of increasing public concern on these topics. Some persons wish to offer support to thousands of refugees who are seeking assistance. In contrast, there are also hardcore individuals who think asylum seekers and spouses are economic migrants.
Have you read “Twenty Thousand Leagues Under the Sea” by Jules Verne? Or, maybe, you are a fan of dystopian novels? What I’m asking you to do at the moment is to remember at least one story where characters use advanced technologies we can’t even dream about, or a story which takes place in the distant future.
I’m sure you tried to put at least one of all those recommendations for writing academic papers or boosting your productivity in college which are floating around the Internet into practice. So, how did it work?
In the second part of our review essay, we interpret the most famous performance “Rhythm 0” by Marina Abramovic as well as draw a parallel between it and the Lars von Trier’s film. Furthermore, both the joint artworks and the legendary connection between two artists Marina Abramovic and Ulay are described.
In the first part, the recipient’s impressions about three “Freeing...” performances are described. Besides, the analysis of Marina’s understanding of art is given in the paragraph about performance “Art must be beautiful.” Finally, there are also mentioned intersemiotic parallels between Abramovic’s performance and Edward Munch’s canvas.
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